The life story of Coretta Scott King wife of Martin Luther King Jr., founder of the Martin Luther King Jr. Center for Nonviolent Social Change (The King Center), and singular twentieth-century American civil and human rights activist as told fully for the first time, toward the end of her life, to Rev. Dr. Barbara Reynolds.
Born in 1927 to daringly enterprising parents in the Deep South, Coretta Scott had always felt called to a special purpose. While enrolled as one of the first black scholarship students recruited to Antioch College, she became politically and socially active and committed to the peace movement. As a graduate student at the New England Conservatory of Music, determined to pursue her own career as a concert singer, she met Martin Luther King Jr., a Baptist minister insistent that his wife stay home with the children. But in love and devoted to shared Christian beliefs as well as shared racial and economic justice goals, she married Dr. King, and events promptly thrust her into a maelstrom of history throughout which she was a strategic partner, a standard bearer, and so much more.
As a widow and single mother of four, she worked tirelessly to found and develop The King Center as a citadel for world peace, lobbied for fifteen years for the US national holiday in honor of her husband, championed for women's, workers and gay rights and was a powerful international voice for nonviolence, freedom and human dignity.
Coretta's is a love story, a family saga, and the memoir of an extraordinary black woman in twentieth-century America, a brave leader who, in the face of terrorism and violent hatred, stood committed, proud, forgiving, nonviolent, and hopeful every day of her life.
Local author, Ron Rhody has written a new novel "Concerning the Matter of the King of Craw" about the infamous John Fallis.
Ron is author of the "Theo" books about Frankfort.
Ron Rhody was in the store to sign copies of his new book recently.
So we have a limited quantity of signed copies of King of Craw that would make great presents.
Kentucky author C. E. Morgan is drawing a lot of attention with her book "The Sport of Kings."
From the New York Times:
In 1955, Sports Illustrated sent William Faulkner to cover the Kentucky Derby. The article that resulted didn’t have much in common with sports journalism. It was a prose poem, a sensorium. Its thesis statement, which I have located with the aid of bloodhounds, is probably this: “What the horse supplies to man is something deep and profound in his emotional nature and need.”
C. E. Morgan’s ravishing and ambitious new horse-world novel, “The Sport of Kings,” taps into that nature and need. It’s a mud-flecked epic, replete with fertile symbolism, that hurtles through generations of Kentucky history.
On its surface, “The Sport of Kings” has enough incident (arson, incest, a lynching, miscegenation, murder) to sustain a 1980s-era television mini-series. You might title that mini-series “Lexington!” Michael Landon would play a dynastic horse breeder, tanked up on destiny, with a whip in one hand and a mint julep in the other.
But Ms. Morgan is not especially interested in surfaces, or in conventional plot migrations. She’s an interior writer, with deep verbal and intellectual resources. She fills your head with all that exists in hers, and that is quite a lot — she has a special and almost Darwinian interest in consanguinity, in the barbed things that are passed on in the blood of people and of horses, like curses, from generation to generation.
The NewYorker Magazine had this to say:
“The Sport of Kings” hovers between fiction, history, and myth, its characters sometimes like the ancient ones bound to their tales by fate, its horses distant kin to those who drew the chariot of time across the sky. One of Morgan’s remarkable achievements in this novel is to wind all the clocks at once: a mortal one, which stops too soon (“time is a horse you never have to whip”); a historical one, which stops when memory runs down; and a cosmological one, which never stops at all.
Come in an pick a copy to see what the talk is all about.